Saturday | September 15th 2018
8PM (Doors) | 9:00PM (Show) | 18+
Heroes Live Entertainment presents
MEAT BEAT MANIFESTO (official)
EXCLUSIVE FLORIDA SHOW
The Ground at Club Space | 34 NE 11th St | Miami | 305.375.0001
— MEAT BEAT MANIFESTO (official)
Jack Dangers is the composer and sound sculptor behind Meat Beat Manifesto. His constantly evolving musical invention has generated a long string of futuristic classics, like “Psyche Out,” “Helter Skelter,” “Radio Babylon,” “Edge of No Control” and “It’s The Music.” The single, “Prime Audio Soup,” from the Meat Beat Manifesto album Actual Sounds and Voices, was featured in the sci-fi fantasy blockbuster, The Matrix and on its platinum-selling soundtrack.
An acknowledged innovator in the electronic music scene, Jack Dangers continues to stretch sonic boundaries and influence new generations of sound activists. As a premier remixer, producer, and sound designer, he has played a seminal role in defining tomorrows’ music today. Past production/remixing projects include Public Enemy, Scorn, David Bowie, Orbital, NIN, EBN, David Byrne, Merzbow, Depeche Mode, Terry Riley, Tower of Power and Coil. He has also made videos for Clive Barker, Tox Simian, and DJ Shadow.
Meat Beat Manifesto released their 2018 record, “Impossible Star” on January 19 via Flexidisc with distribution by Virtual Label. It is available on CD, digital, and vinyl. Drawing on the paranoid and surreal political and cultural climate, Jack Dangers likens the record “to an MC Escher optical illusion which spirals around and around and never seems to end.”
“Intriguing and intimidating, Dangers’ cultural osterizing evolves to the nth degree of studio sophistication…”
“Without MBM’s groundbreaking amalgams of hip-hop and industrial dance music, modern dance music genres such as Big Beat and Drum & Bass wouldn’t exist…one of Britain’s most inventive practitioners of sampladelic funk.”
“A true innovator, MBM main man Jack Dangers helped lay down the rules for dub-inflected electronica, throwing down heavy breaks atop challenging experimental sound”
“The sounds of futuristic riddims that both predate electronic genre nicknames and mock their ideals; one that may be defined purely by its sphere of influence on modern music.